2024

Fountain

Water fountain

2024

+ Supplementary Fee

In an era where arts subsidies are increasingly under pressure, the exhibition (+ Supplementary Fee) offers a critical perspective on the challenges confronting artists and cultural institutions. With a brand new government that places little value on art and culture, the commercialization of the arts seems inevitable for survival.

2016-2018

Art Studio Art Collective

Art Studio Art Collective applied strict, time based methodical approach to art making. Within one sitting an idea is formed, executed and abandoned.

2021

Untitled

2022

Places of interest

The works are based on the older tradition of textile-landscape works, where the desolate and barren nature, with its towering peaks and majestic waterfalls, is brought into the home in the form of soft tattered tapestries. The landscape photographs from which the works in the exhibition are based are not only intended to convey the magnificence of nature, but also act as a confirmation that the tourist has seen the place, experienced it, as an incentive for others to do the same

2021

Tools for symbiosis

The tools in are meant to enforce certain types of human to human symbiosis. With their affordability they generate moments where the existence of two or more individuals momentarily gets entangled, whether it be for the better or worse.

2016

Paint splatter

Paint Splatter was the winning submission to a competition held by Studio Olafur Eliasson and the City of Reykjavik for an opening piece on Reykjavik’s Winter Lights Festival in 2016.

2019

The future of future startups

Business plans for future startups

2023

Turf to tarmac to turf

Throughout all of the last century people have flocked from the countryside to developing urban areas. Today a nostalgic longing for closeness with the natural world leads us to (temporarily) dwell in rural areas where the industrially farmed land looks less and less like the pastures of our past. In the exhibition  Turf to tamarc we find ourselves back where we started, far from the city, with little sense of familiarity and sneakers on our feet.

2021

Window two

Minor intervention to a traffic structure

2021

Window one

Window I is a monument to everyday forgetfulness and casual apathy.

2021

The mens choir in the wall

The singing that emanates mysteriously from within the wall itself, suggest that the voices aren’t merely controlling and maintaining the establishment but an inseparable part of it.

2023

Queue/Cue

The musicians queue up and wait for their cue, while the brush awaits its cue from the queue. One by one, the musi- cians take a seat, plug in, and play. Their music dictates the movement of the brush, but also vice versa. It is a dialogue, a conversation. The brush takes the role of a dancer, with its flowy turns, but also of the frizzy-haired conductor, with its sharp and precise movements.